The Flourishing Travel Creator

To Niche or Not to Niche: What’s the Best Way to Freelance Travel Writing Success?


A lot of the prevailing advice to the soon-to-be-self-employed is to pick a niche and brand yourself heavily in that area. Proponents say,

“Who’s going to hire a freelance travel writer with no experience besides her own personal travels? You have to do something and be known for something so incredibly specific that when people really need exactly that skill, they come to you.”

But what new freelance travel writers respond with, very validly, is:

“Okay, but who is going to hire me for that incredible specific thing right now? I need enough clients to earn an income now, not just later when I become famous for my super specific niche.”

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What You Need to Know About Freelance Travel Writing Contracts


If you’ve already been in this game for a while, feel free to skip this post. I am not a lawyer (though that was my original career plan back in the day!), just a concerned citizen, so if you are already commanding the rates you deserve and negotiating for contract terms that work in your favor, jump ahead.

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How Can You Tell Which Editor to Pitch at a Travel Magazine?


When I talk to freelance travel writers about their biggest issues in pitching a lot of people talk about the difficulty in finding the right editor to pitch.

Writers fear that if they send a stellar pitch to the wrong editor it will get deleted, simply because of irrelevance, before they even get their chance to shine and sell their idea and their writing abilities.

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The Only Thing that Matters in Travel Writing Is Your Hourly Rate


At one point in my career when I was in desperate need of work, a writer and writing coach that I greatly admire made a case for writing for trade magazines that completely changed my career:

I’ve earned anywhere from $.10 per word writing for trade magazines at the beginning of my career up to $2.50 per word penning articles for national consumer magazines like Health. What’s important, though, isn’t the per-word rate—it’s your hourly rate, and I usually earn $250 per hour at this kind of work even at magazines that pay just $.50/word.

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